Rubén Darío en el debate sobre la literatura nacional nicaragüense

The debate on literature in Nicaragua, at various moments the country’s history, is elaborated figure, aesthetics, and work of Rubén Darío. Not only birth death poet vernacular soil are central aspects appropriation made, but above all, international cultural capital built through his wandering life cosmopolitanism work. as well distancing debates about contribution, persist Nicaraguan literary history. We will explore some interventions by intellectuals who members Avant-garde Group, their subsequent critical review contribution that Ventana magazine made 1960s. Finally, it be observed during revolutionary decade, 1979-1989, figure Darío concentrates, least, two simultaneous appropriations, “anti-imperialist” “half-blood”. Both perspectives coincide conviction that, there would no without magisterium